Title: Normalized Datasets of Harnack’s Reconstruction of Marcion’s Gospel
Abstract: These two datasets are the first born-digital, normalized, peer-reviewed datasets of Harnack’s classic reconstruction of Marcion’s Gospel. The first consists of human-readable postclassical Greek, the second of lemmatized and morphologically tagged text following the openly licensed BibleWorks Greek Morphology schema. The recent deluge of critical editions of Marcion’s Gospel makes Harnack’s public domain work even more relevant as scholars turn from theology- to text-based approaches to restore Marcion’s Gospel and account for its place in the editorial history of early canonical and non-canonical Gospels. These datasets resource Marcion’s Gospel becoming a major topic of interest in Computational Linguistics research.
One of the best parts about my job as a ScholComm Librarian is working with amazing students on meaningful publishing projects. As part of a team working on a Dept of Ed funded grant with our National Resource Center for Asian Languages, I had the wonderful privilege of collaborating with a team of BFA and MFA illustrators to make Vietnamese language books in support of bilingual K-12 education in Orange County. One of our illustrators, a young, gifted and Black artist by the name of Leah Simone Metters, brought tremendous energy, creativity and leadership to the project.
Now that my Open Science book experiment on the First Gospel (Qn) is almost a year old, over 1000 pages, more than 325,000 words, has over 2500 unique downloads, and is the basis for an upcoming peer-reviewed presentation in the Digital Humanities section of the Society of Biblical Literature this November, it felt like the right time to take the book to the next level of professional publishing. So I decided to commission book cover art, and I could think of no artist better suited to realize my vision for the book than Leah.
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As an academic author and a passionate advocate for Open Access, I have launched a crowdfunding campaign on unglue.it to provide access to my 2013 monograph for everyone in the world and to lead by example in my work as a Scholarly Communication Librarian in the California State University system. The print book has been unavailable on commercial sites for over a year now. My hope is that a successful campaign will give a new life to this book, increase its usage and citations, and inspire many other faculty in the CSU to start similar campaigns to unglue their books to Open Access.
This op-ed was published earlier today in the CSU Fullerton student newspaper, the Daily Titan.
Back in the pre-digital age, when university libraries bought physical resources, graduating students knew that the university library collections would continue to be there for them. Even if it meant a trip back to campus, that reservoir of curated knowledge would always be available to enjoy.
These days, graduating students are sadly, abruptly and completely cut off from most of the digital resources that we librarians work so hard to supply and teach students how to use.
How did this happen? How have libraries learned to hate commencement?
[Link to full article]
This is the part of the story where publishers, marketers, fundraisers and authors realize there is a shit ton of money to be made in Linked Open Data Living Information Books as a new kind of digital property.
Updated May 13, 2020
My CNI presentation felt like it went really well, despite a couple wireless freezes during the session. A video recording is now available on Vimeo or embedded in the session event page, linked from the Coalition for Networked Information Spring 2020 Virtual Membership Meeting website.
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